Don Hernando Franco

Prof. Robert Stevenson in his ‘Music in Aztec and Inca Territory’ suggests that the composer of the two Nauhatl pieces in the Valdes Codex was a cacique noble, possibly trained in the Tlatelolco college for noble Indigenous youth and who adopted the name of the Chapelmaster of Mexico City Cathedral out of admiration; insisting that a mere chapelmaster would not be allowed to use the honorific “Don”. Hernando Franco was Chapelmaster 1575-1585.

Dios itlaconantzine

The villancico verse//refrain form invited a treatment similar to that found in the spiritual villancicos of Guerrero and Fernandes.

 

Don Hernando Franco "Dios itlaconantzine"

by Concentus Musicus MN, Arthur Maud, dir. | 'Sixth Sun' 1984, Mary Earl - soprano, Joseph Tambornino - countertenor

Dios itlaconantzine cemicac ichpochtle

cenca imitztotlatlauhtiliya ma topan

ximotlatol yn ilhuicac ixpantzinco in

motlasoconetzin Jesu Christo.Ca onpa t

imoyeztica yn inahuactzinco yn motlaso

conetzin Jesu Christo.

 

Oh precious Mother of God, oh eternal Virgin,

we earnestly implore of thee: intercede for us.

In heaven thou art in the presence of thy

dearest Son, Jesus Christ. For thou art there

beside Him. In heaven thou art in the presence

of thy dearest Son, Jesus Christ.